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The great artist with many writing styles did not try to write in his works within the established framework of the standard, laying out all the details on the shelves.
At each creative stage of the artist, during his formation as a surrealist, Muse was present, which inspired the creation of new interesting masterpieces.
Being married to the ballerina Olga Khokhlova, who longed to be present on all his canvases, he turned to neoclassicism. And the conversion to surrealism happened a little later, when the young blonde Maria Theresa Walter entered his life. Thanks to her relationship, the bulk of Pablo's paintings was a legacy of surrealism, and was also reflected in geographical cycles. Here is a combination of classics and antique motifs.
In his canvases, the artist performs a figurative opening of the female body, and he tries to build monsters from its constituent parts. One of such works is the painting “Girl Throwing a Stone”, painted in 1931.
He is like a child, disassembling a new toy into parts in order to see “what's inside”, conducts research on the new model on the canvas. Fragments of the body are folded, twisted, and disassembled into parts. He plays with him as a constructor, and tries to determine what will happen if the details are put together differently. And the result shows that regardless of the change in the change of details, sensuality is preserved without the presence of aggression. Looking at the picture, it seems that the girl is molded from plasticine, so soft and streamlined.
The man himself and his body parts become clots of the wild, natural principle and natural desires. The artist asks the question “What kind of creature is man?”, What will happen if all unnecessary elements are removed? All that remains is the embodiment of the essence of man in the natural desires and elements of the body.